
Last updated: 28 July 2026
In short: The Whistler Peacock Room scarf is a pure silk scarf in deep blue and gold, priced at £120 from the Tate shop. Moreover it was made to mark the 2026 Whistler retrospective at Tate Britain, and it lifts the golden peacocks straight from his famous interior, Harmony in Blue and Gold: The Peacock Room. Because it measures 160 by 48 cm, it works as a light shawl, a headscarf, or framed textile wall art. In person the colours are noticeably richer than any photo suggests.
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Put simply, it is a 100% silk scarf that reproduces the gilded peacocks from one of the most famous rooms in art history. Tate produced it alongside its 2026 Whistler survey, so it sits neatly between gift-shop souvenir and proper design object. Consequently you get a genuine slice of Whistler on silk, rather than a flimsy print. The blue is almost black, the peacocks are gold, and the whole thing reads as luxurious rather than loud.
Firstly, the source. Between 1876 and 1877 Whistler decorated a dining room for the shipping magnate Frederick Leyland, turning it into Harmony in Blue and Gold: The Peacock Room. Originally Thomas Jeckyll designed the room to display Leyland's blue and white porcelain. However Whistler took over while Leyland was away, and he covered the walls, ceiling and shutters in Prussian blue and gold leaf. Then, after a bitter row over payment, he added two fighting peacocks titled Art and Money; or, The Story of the Room. Today the entire room lives at the Freer Gallery of Art, part of the Smithsonian in Washington DC. The scarf therefore carries a genuinely spiky backstory, not just a pretty pattern.
Honestly, photographs undersell this one. On screen the blue can look flat and the gold a little dull. In the flesh, though, the silk catches the light and the peacocks genuinely glow. Furthermore the Tate Britain shop displays it framed on the wall, and framed is where it truly comes alive: it stops being a scarf and becomes a small painting. Do bear in mind that a frame of this size will usually cost more than the scarf itself, so budget accordingly if that is the look you want.
Practically, you have three options. You can wear it as a light shawl over a coat, wind it up as a headscarf, or skip wearing it altogether and frame it. Because the pattern runs horizontally and sits roughly landscape when opened out, it frames beautifully as a single panel. Alternatively, drape it and the peacocks fall into soft folds. Either way, silk this fine deserves gentle care, so treat it as dry clean only unless the care label says otherwise.
The scarf costs £120 and it is sold through the Tate shop. Tate offers free UK standard delivery on orders over £60, so this qualifies; otherwise UK delivery is £5 and international is £28. Standard UK delivery usually takes about a week. If you want the wider context first, our Whistler at Tate Britain review walks through the exhibition the scarf was made for, and the official Tate exhibition page lists dates and tickets.
Buy the Peacock Room scarf (£120)
It costs £120 from the Tate shop. Delivery is free in the UK on orders over £60, which this comfortably clears.
It is 100% pure silk and measures 160 by 48 cm. As a result it is long enough to wear as a shawl or to frame as a panel.
It draws on Harmony in Blue and Gold: The Peacock Room, the 1876 to 1877 interior Whistler created for Frederick Leyland. That room now sits at the Freer Gallery of Art in Washington DC.
Yes, and it looks superb framed. The Tate Britain shop shows it that way. However a frame this size normally costs more than the scarf, so factor that in.
It is available from the Tate shop, both online and in Tate galleries, while stocks last. Because it ties to the exhibition, it may not stay in stock indefinitely.
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