The Howard Hodgkin Pitzhanger review has already attracted significant interest from London art audiences, and it is clear why. This exhibition, set within the refined Georgian architecture of Pitzhanger Manor, offers a particularly clear reading of Hodgkin’s distinctive approach to colour, memory and emotional temperature. Rather than functioning simply as a showcase of major works, the show uses the character of the building itself to shape a more intimate encounter with Hodgkin’s practice.
Where large retrospectives often expand outward, this exhibition tightens the focus. Viewers move through a sequence of carefully paced rooms, each one revealing a different aspect of Hodgkin’s language of abstraction. The result is an exhibition that feels steady, well considered and quietly resonant.
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