May 24, 2026Comments are off for this post.

Christo Air Review: Gagosian’s Lost Cloud Lands in London

Last updated: 23 May 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 4/5

Some shows you walk through. This one you stand inside. Our Christo Air review covers the moment a lost 1968 idea finally turns real, suspended just above your head in a Mayfair gallery. Christo: Air opened at Gagosian on Grosvenor Hill on 21 May 2026, and it centres on a single, glowing cloud that the artist never lived to see built. Below, we unpack what genuinely works, what falls a little short, and whether this Christo Air review lands the show among the capital's must-see exhibitions this summer.

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May 19, 2026Comments are off for this post.

Olivia Guillot In between blinks at Glasshouse Review: 2026

Last updated: 19 May 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

This Olivia Guillot Glasshouse review covers in between blinks, the debut London solo show from a French-British painter who has spent the last year on the Tracey Emin Artist Residency in Margate. The work is loud, confident and unmistakably alive. It is also, quite plainly, the start of something rather than the finished thing. So if you want to back a young painter early, this small Soho room is a good place to begin.

Cool Factor: 4/5

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May 18, 2026Comments are off for this post.

Milly Thompson Aroma Venus Review: A Posthumous Triumph at Amanda Wilkinson Gallery

Last updated: 10 May 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice. This post contains a small number of affiliate links in the related-content section at the bottom, none of which influence the review itself.

Cool Factor: 5/5 Ice cold

The Milly Thompson Aroma Venus show at Amanda Wilkinson Gallery is, hands down, the warmest, wittiest, most quietly furious thing I have walked into in London this year. It is also posthumous, so going in I was a bit nervous. I needn't have been. Aroma Venus is exactly the kind of glamorous, slippery, unapologetic exhibition Milly would have hung herself, and it left me beaming and slightly teary on Farringdon Road. If you have a free afternoon before 23 May 2026, just go.

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May 15, 2026Comments are off for this post.

David Zwirner London Review: Five Minimalist Masters 2026

Last updated: 15 May 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

Five names, one Mayfair townhouse, and a quietly precise group hang. This David Zwirner London review covers Flavin, Judd, McCracken, Ryman, Sandback, on view at 24 Grafton Street until 22 May 2026. Although the artists are familiar, the way David Zwirner has threaded them together is genuinely fresh. So if you've ever wondered what colour itself can do as a material, this is the show to see.

Cool Factor: 4/5

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April 10, 2026Comments are off for this post.

Schiaparelli V&A Review: Fashion Becomes Art at the V&A London

Last updated: 10 April 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

We went into the Schiaparelli V&A exhibition not knowing quite what to expect. We are not fashion journalists. We are curious culture-watchers who appreciate design, craftsmanship, and the occasional moment where something genuinely stops you in your tracks. Schiaparelli: Fashion Becomes Art at the V&A delivered that moment several times over. This is our honest Schiaparelli V&A review, covering whether this blockbuster show justifies its ticket price, what the standout pieces are, and why it deserves your attention even if you have never owned a couture anything.

Cool Factor: 4/5 (Stone cold)

Cool Factor

★★★★☆

4 out of 5

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April 10, 2026Comments are off for this post.

Chiharu Shiota & Yin Xiuzhen Hayward Gallery Review 2026 – Worth It?

Last updated: 10 April 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Our Chiharu Shiota Hayward review covers two concurrent exhibitions at the Hayward Gallery on London's Southbank: Threads of Life and Yin Xiuzhen's Heart to Heart. For £19 you get entry to both shows, and honestly, that felt like a steal. One of these exhibitions left us speechless. The other left us a little lukewarm. Together, they make for a genuinely memorable afternoon.

Cool Factor: Chiharu Shiota — 5/5 | Yin Xiuzhen — 3/5

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April 7, 2026Comments are off for this post.

Veronica Ryan Whitechapel Gallery Review 2026 – Multiple Conversations

Last updated: 11 April 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor

★★☆☆☆

2 out of 5

Two weeks ago I walked out of Hurvin Anderson's show at Tate Britain buzzing. It was focused, beautifully paced, and one of the best things I have seen in London this year. Then I paid £16.50 to see Veronica Ryan: Multiple Conversations at Whitechapel Gallery. I walked out feeling flat. Ryan is a Turner Prize winner with four decades of serious, compelling work behind her. So what went wrong? In short, the Veronica Ryan Whitechapel survey tries to say everything at once and ends up saying very little clearly. Here is why.

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March 31, 2026Comments are off for this post.

Tracey Emin: A Second Life at Tate Modern Review (2026)

Last updated: 31 March 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 4/5

This Tracey Emin Tate review covers A Second Life, the largest ever survey of Dame Tracey Emin's work now showing at Tate Modern until 31 August 2026. Spanning over 100 works across 40 years, it is ambitious, deeply personal and, at times, genuinely difficult to look at. It is also one of the best exhibitions in London right now. The textile works alone justify the £20 ticket, and seeing My Bed in person still hits differently after all these years. However, the sheer pulling power of Emin's name means crowds can make the experience feel more like rush hour than a gallery visit.

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March 23, 2026Comments are off for this post.

Conceptual Art and Christine Kozlov at Raven Row Review

Last updated: 22 March 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 3/5

The Christine Kozlov Raven Row exhibition is a sprawling deep dive into the work and world of one of conceptual art's most overlooked figures. Housed in the gorgeous 18th-century rooms of Raven Row gallery in Spitalfields, Conceptual Art and Christine Kozlov brings together an expansive collection of Kozlov's output alongside works by her peers, including On Kawara, Lawrence Weiner, Joseph Kosuth, and Art & Language. It's free, it's ambitious, and it's open until 26 April 2026. But does it hold together as a show? Our honest verdict below.

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March 2, 2026Comments are off for this post.

Rose Wylie at the Royal Academy Review: A Look at the London Exhibition

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

The Rose Wylie Royal Academy exhibition places one of Britain’s most distinctive painters within the formal context of Burlington House. Rather than framing Wylie as an outsider voice, the exhibition situates her practice within a lineage of British painting that values scale, gesture and visual directness. The result is not a retrospective spectacle but a measured presentation that clarifies the structural intelligence beneath her deliberately awkward surface language.

As with other focused RA exhibitions, the strength of the show lies in pacing. The galleries unfold in a steady sequence, allowing Wylie’s visual vocabulary to accumulate gradually.

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