Contemporary art Archives - Page 2 of 2

April 6, 2026 — Comments are off for this post.

Hurvin Anderson at Tate Britain Review – A Landmark Exhibition

Last updated: 6 April 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 5/5

The Hurvin Anderson Tate Britain exhibition is one of the most rewarding shows to open in London in years. Bringing together more than 80 paintings that span three decades of work, this major retrospective is a proper feast for the eyes. From lush Caribbean landscapes to intimate barbershop interiors, Anderson's colour-drenched canvases pull you in and refuse to let go. It runs until 23 August 2026, and if you only see one exhibition this year, make it this one.

Tracey Emin: A Second Life at Tate Modern Review (2026)

Last updated: 31 March 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 4/5

This Tracey Emin Tate review covers A Second Life, the largest ever survey of Dame Tracey Emin's work now showing at Tate Modern until 31 August 2026. Spanning over 100 works across 40 years, it is ambitious, deeply personal and, at times, genuinely difficult to look at. It is also one of the best exhibitions in London right now. The textile works alone justify the £20 ticket, and seeing My Bed in person still hits differently after all these years. However, the sheer pulling power of Emin's name means crowds can make the experience feel more like rush hour than a gallery visit.

Rose Wylie at the Royal Academy Review: A Look at the London Exhibition

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

The Rose Wylie Royal Academy exhibition places one of Britain’s most distinctive painters within the formal context of Burlington House. Rather than framing Wylie as an outsider voice, the exhibition situates her practice within a lineage of British painting that values scale, gesture and visual directness. The result is not a retrospective spectacle but a measured presentation that clarifies the structural intelligence beneath her deliberately awkward surface language.

As with other focused RA exhibitions, the strength of the show lies in pacing. The galleries unfold in a steady sequence, allowing Wylie’s visual vocabulary to accumulate gradually.