March 31, 2026Comments are off for this post.

Tracey Emin: A Second Life at Tate Modern Review (2026)

Last updated: 31 March 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 4/5

This Tracey Emin Tate review covers A Second Life, the largest ever survey of Dame Tracey Emin's work now showing at Tate Modern until 31 August 2026. Spanning over 100 works across 40 years, it is ambitious, deeply personal and, at times, genuinely difficult to look at. It is also one of the best exhibitions in London right now. The textile works alone justify the £20 ticket, and seeing My Bed in person still hits differently after all these years. However, the sheer pulling power of Emin's name means crowds can make the experience feel more like rush hour than a gallery visit.

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March 23, 2026Comments are off for this post.

Conceptual Art and Christine Kozlov at Raven Row Review

Last updated: 22 March 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

Cool Factor: 3/5

The Christine Kozlov Raven Row exhibition is a sprawling deep dive into the work and world of one of conceptual art's most overlooked figures. Housed in the gorgeous 18th-century rooms of Raven Row gallery in Spitalfields, Conceptual Art and Christine Kozlov brings together an expansive collection of Kozlov's output alongside works by her peers, including On Kawara, Lawrence Weiner, Joseph Kosuth, and Art & Language. It's free, it's ambitious, and it's open until 26 April 2026. But does it hold together as a show? Our honest verdict below.

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March 22, 2026Comments are off for this post.

William Nicholson at Pallant House Gallery Review

Last updated: 21 March 2026

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

The William Nicholson exhibition at Pallant House Gallery in Chichester is the first major survey of this extraordinary painter in more than 20 years. Spanning his entire career, from bold graphic posters to luminous still lifes and tender portraits, it makes a compelling case for Nicholson as one of Modern British art's most underrated figures. A friend who studied at the Royal College of Art tipped us off, and they were right. This is a show that rewards close looking, and Chichester itself makes for a brilliant day out.

Cool Factor: 4/5 Stone cold

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March 2, 2026Comments are off for this post.

Rose Wylie at the Royal Academy Review: A Look at the London Exhibition

By Tristan · Arts, exhibitions and creative culture

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

The Rose Wylie Royal Academy exhibition places one of Britain’s most distinctive painters within the formal context of Burlington House. Rather than framing Wylie as an outsider voice, the exhibition situates her practice within a lineage of British painting that values scale, gesture and visual directness. The result is not a retrospective spectacle but a measured presentation that clarifies the structural intelligence beneath her deliberately awkward surface language.

As with other focused RA exhibitions, the strength of the show lies in pacing. The galleries unfold in a steady sequence, allowing Wylie’s visual vocabulary to accumulate gradually.

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December 6, 2025Comments are off for this post.

Howard Hodgkin at Pitzhanger Manor Review: A Detailed Look at the London Exhibition

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

This article contains affiliate or referral links. If you click through and sign up I may earn a commission or referral bonus at no extra cost to you. It does not affect my editorial view.

The Howard Hodgkin Pitzhanger review has already attracted significant interest from London art audiences, and it is clear why. This exhibition, set within the refined Georgian architecture of Pitzhanger Manor, offers a particularly clear reading of Hodgkin’s distinctive approach to colour, memory and emotional temperature. Rather than functioning simply as a showcase of major works, the show uses the character of the building itself to shape a more intimate encounter with Hodgkin’s practice.

Where large retrospectives often expand outward, this exhibition tightens the focus. Viewers move through a sequence of carefully paced rooms, each one revealing a different aspect of Hodgkin’s language of abstraction. The result is an exhibition that feels steady, well considered and quietly resonant.

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November 23, 2025Comments are off for this post.

David Hockney London Exhibition Review

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

The David Hockney London exhibition at Annely Juda Fine Art lands with a burst of colour, a new gallery space and a reminder that Hockney still paints with more curiosity than most artists half his age. Opening in early November 2025 at the gallery’s new Hanover Square home, the show brings together brand new acrylic paintings and the first full UK presentation of The Moon Room. It’s confident, witty and exactly the kind of exhibition that gets London buzzing.

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November 6, 2025Comments are off for this post.

Collecting Contemporary Art: Gilbert & George’s Ink Washes 2023 – 2025

Bold, British and brilliantly irreverent 🎨

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

If you’re thinking about collecting contemporary art and want something that shouts personality, Gilbert & George’s ink washes are an ideal starting point. Known for their bold humour and graphic punch, the pair’s most recent works — the Royal Ink Washes (2023) and The 21st Century Ink Washes (2025) — bring colour, chaos and satire to your walls.

These editions are hand-painted on heavyweight 400 gsm watercolour paper, each signed, numbered and limited to 50. Whether you hang one in a hallway or above the sofa, they make a statement that says “serious collector with a sense of humour”.

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October 14, 2025Comments are off for this post.

Frieze London & Masters 2025 Review: What Stood Out

🎯 Why this year mattered for UK collectors

This is an opinion piece. Views expressed are the author's own and do not constitute professional advice.

If you’ve been eyeing the art-fair calendar, the Frieze London 2025 review is essential reading. This Frieze London 2025 review is about more than sales and champagne. Running from 15-19 October in Regent’s Park, this edition of Frieze London and its sibling Frieze Masters brought together over 280 galleries from 45 countries. For the UK collector building a contemporary art collection, there were clear signals: a shift toward materiality and newer galleries, plus opportunities for thoughtful buying rather than impulse purchases.

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